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The Drift ( Stack Switch/ Blue/10), 2020

23.3 x 27.4 cm 
Acrylic on canvas,

During 2020 Marion Piper has been working on a series of paintings and drawings titled, ‘The Drift’ which explore her interest in art history and design, literature. 

GRAND STANDING, 2018.

Twenty four part drawing, 2.58m x 1.21m

MK Calling 2020, Milton Keynes Gallery  NOW OPEN UNTIL NOVEMBER 1st 2020, ENTRANCE IS FREE BUT BOOKING IS ESSENTIAL  

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A Little Painting Show, curated by Josie Jenkins, Tom Palin and Richard Baker at The Brunswick Gallery, Leeds.  17th - 30th January 2020

'Riverside ( EF/2)' 2019, acrylic on canvas, H 26 cm W 21cm

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READER at Magdalen Art Space, Oxford. 

A solo presentation of one hundred drawings and paintings 

19th, 20th, 26th and 27th October 2019, 12-5pm.

By appointment 21st, 22nd, 23rd, 24th,

Artist talk, Transcript of the talk on my blog.

'End Use and Factors of Production'.

Sunday 27th October 3-4pm

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OBJECT MEDITATION| curated by Tom Wilmott for After Nyne Gallery London. 4-19 October 2019

Marion Piper

Repeat Copier  (Newcastle/ 1&2/20190

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Parmar & Piper

Bharti Parmar and Marion Piper interview recorded at the Herbert Gallery. 

Hybrid Painting Project, watercolour, drawing and project documentation, 2018-19. Developed for Coventry Biennial of Contemporary Art 2019 the Herbert Gallery, Coventry

from 5th October 2019 -26th January 2020

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Riverside (East Finchley) 2019, acrylic on canvas. PROLOGUE, curated by Nick Scammell at Offshoot Art Space, London

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Riverside (Osnabrück/1,2,3,4) 2019, pencil on paper, Be Absolutely Concrete! Hase 29, Osnabrück, Germany. A Drawing Collective exhibition. 

Photo by: Bogumila Strojna

Catalogue design: Erdem Küçükköroglu

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Margate Papers, 2018 on 'Journeys with the Wasteland', found newspaper.

Repeat Copier (Margate) 2018, gouache and oil glaze on canvas on panel, shown at, 'a Meeting', a Cally Shadbolt Studio project, Oxford

Repeat Copier (Marylebone/1and 2) gouache and oil on canvas, 2018.
Photo courtesy of Square Projects

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The Link (NYC) 2017, acrylic and pencil on canvas on panel, Louder Than Bombs, Curator Gallery, NYC, USA.

Photo courtesy of curator, Douglas Witmer

The Link (Pink) 2017, acrylic and pencil on paper, China Art Academy CAA Museum, Hangzhou, China

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The Link (Pink) 2017, acrylic and pencil on paper, China Art Academy CAA Museum, Hangzhou, China

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The Link (Pink) 2017, acrylic and pencil on paper, China Art Academy CAA Museum, Hangzhou, China

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The Point (Seasons) 2017, acrylic and pencil on paper and canvas, Espace Despalles, Paris

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The Point (Seasons) 2017, acrylic and pencil on paper and canvas, Espace Despalles, Paris

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The Point (Seasons) 2017, acrylic and pencil on paper and canvas, Espace Despalles, Paris

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The Point (Seasons) 2017, acrylic and pencil on paper and canvas, Espace Despalles, Paris

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The Point (Seasons) 2017, acrylic and pencil on paper and canvas, Espace Despalles, Paris

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The Point (Seasons) 2017, acrylic and pencil on paper and canvas, Espace Despalles, Paris

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The Point (Seasons) 2017, acrylic and pencil on paper and canvas, Espace Despalles, Paris

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Repeat Copier (Coventry) 2017, gouache and oil on canvas, Coventry Biennial 2017

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Repeat Copier (Coventry) 2017, gouache and oil on canvas, Coventry Biennial 2017

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The Link (London) 2017, acrylic and pencil on paper, Arthouse1, London

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The Link (London) 2017, acrylic and pencil on paper, Arthouse1, London

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The Link (London) 2017, acrylic and pencil on paper, Arthouse1, London

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Repeat Copier, gouache and oil on canvas. Selected by Alison Wilding for Creekside Open 2017, APT Gallery, London

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 April 2017, Chalk wall drawing on original paint, loading bay, MK Calling, MK Gallery

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 April 2017, Chalk wall drawing on original paint, loading bay, MK Calling, MK Gallery

The Link, pencil and oil on canvas, 
18 x 24 cm, 2017

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The Link (Berlin) acrylic and pencil on paper. 2017.  Draw/Bridge  Zug/Brücke, Galerie REMISE, Berlin

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Jan 2017 PHANTHOM, Ruskin Gallery, Cambridge. Photo credit: Jane Boyer Clockwise from top, A Successor, pencil on board. Reaching for Art, 70 drawings in a found book. A Consultation, pencil on sugar paper

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Jan 2017 REEL, Lewisham Art house, London

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Jan 2017 REEL, Lewisham Art house, London

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Jan 2017 REEL, Lewisham Art house, London

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Jan 2017 REEL, Lewisham Art house, London

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REPEAT COPIER (BLACK /20 sheets) 2016. Gouache on A3 size paper.
Selected for Jerwood Drawing Prize 2016

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The Black and White Project, Transmitter Gallery, New York

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Repeat Copier (Jet/004) 2016, gouache, pencil, oil  on canvas on panel, 30cm x 40cm Photographed at the studio

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Repeat Copier ( Black 003 / canvas ) 2016, 100cm x 70cm ‘Summer Mix’ July 2016, at Turps Gallery, London

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Geometry, Wonky and Otherwise

DEDA , Derby. Or To series, 2015

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