A Little Painting Show, curated by Josie Jenkins, Tom Palin and Richard Baker at The Brunswick Gallery, Leeds.  17th - 30th January 2020

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'Riverside ( EF/2)' 2019, acrylic on canvas, H 26 cm W 21cm

READER at Magdalen Art Space, Oxford. 

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A solo presentation of one hundred drawings and paintings 

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19th, 20th, 26th and 27th October 2019, 12-5pm.

By appointment 21st, 22nd, 23rd, 24th,

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Artist talk, Transcript of the talk on my blog.

'End Use and Factors of Production'.

Sunday 27th October 3-4pm

OBJECT MEDITATION| curated by Tom Wilmott for After Nyne Gallery London. 4-19 October 2019

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Marion Piper

Repeat Copier  (Newcastle/ 1&2/20190

Parmar & Piper

Bharti Parmar and Marion Piper interview recorded at the Herbert Gallery. 

Hybrid Painting Project, watercolour, drawing and project documentation, 2018-19. Developed for Coventry Biennial of Contemporary Art 2019 the Herbert Gallery, Coventry

from 5th October 2019 -26th January 2020

Riverside (East Finchley) 2019, acrylic on canvas. PROLOGUE, curated by Nick Scammell at Offshoot Art Space, London

Riverside (Osnabrück/1,2,3,4) 2019, pencil on paper, Be Absolutely Concrete! Hase 29, Osnabrück, Germany. A Drawing Collective exhibition. 

Photo by: Bogumila Strojna

Catalogue design: Erdem Küçükköroglu

Margate Papers, 2018 on 'Journeys with the Wasteland', found newspaper.

Repeat Copier (Margate) 2018, gouache and oil glaze on canvas on panel, shown at, 'a Meeting', a Cally Shadbolt Studio project, Oxford

Repeat Copier (Marylebone/1and 2) gouache and oil on canvas, 2018.
Photo courtesy of Square Projects

The Link (NYC) 2017, acrylic and pencil on canvas on panel, Louder Than Bombs, Curator Gallery, NYC, USA.

Photo courtesy of curator, Douglas Witmer

The Point (Seasons) 2017, acrylic and pencil on paper and canvas, Espace Despalles, Paris

The Point (Seasons) 2017, acrylic and pencil on paper and canvas, Espace Despalles, Paris

The Point (Seasons) 2017, acrylic and pencil on paper and canvas, Espace Despalles, Paris

The Point (Seasons) 2017, acrylic and pencil on paper and canvas, Espace Despalles, Paris

The Point (Seasons) 2017, acrylic and pencil on paper and canvas, Espace Despalles, Paris

The Point (Seasons) 2017, acrylic and pencil on paper and canvas, Espace Despalles, Paris

The Point (Seasons) 2017, acrylic and pencil on paper and canvas, Espace Despalles, Paris

Repeat Copier (Coventry) 2017, gouache and oil on canvas, Coventry Biennial 2017

Repeat Copier (Coventry) 2017, gouache and oil on canvas, Coventry Biennial 2017

The Link (London) 2017, acrylic and pencil on paper, Arthouse1, London

The Link (London) 2017, acrylic and pencil on paper, Arthouse1, London

The Link (London) 2017, acrylic and pencil on paper, Arthouse1, London

Repeat Copier, gouache and oil on canvas. Selected by Alison Wilding for Creekside Open 2017, APT Gallery, London

 April 2017, Chalk wall drawing on original paint, loading bay, MK Calling, MK Gallery

 April 2017, Chalk wall drawing on original paint, loading bay, MK Calling, MK Gallery

The Link, pencil and oil on canvas, 
18 x 24 cm, 2017

The Link (Berlin) acrylic and pencil on paper. 2017.  Draw/Bridge  Zug/Brücke, Galerie REMISE, Berlin

Jan 2017 PHANTHOM, Ruskin Gallery, Cambridge. Photo credit: Jane Boyer Clockwise from top, A Successor, pencil on board. Reaching for Art, 70 drawings in a found book. A Consultation, pencil on sugar paper

Jan 2017 REEL, Lewisham Art house, London

Jan 2017 REEL, Lewisham Art house, London

Jan 2017 REEL, Lewisham Art house, London

Jan 2017 REEL, Lewisham Art house, London

REPEAT COPIER (BLACK /20 sheets) 2016. Gouache on A3 size paper.
Selected for Jerwood Drawing Prize 2016

The Black and White Project, Transmitter Gallery, New York

Repeat Copier (Jet/004) 2016, gouache, pencil, oil  on canvas on panel, 30cm x 40cm Photographed at the studio

Repeat Copier ( Black 003 / canvas ) 2016, 100cm x 70cm ‘Summer Mix’ July 2016, at Turps Gallery, London

Geometry, Wonky and Otherwise

DEDA , Derby. Or To series, 2015